Feb 25 2008
Bhangra and DJ Rekha
Dear IF readers,
On my way home from Disney this past week, John and I listened to a wonderful program featuring DJ Rekha and the music of Bhangra on NPR. Go to NPR and read Scott Simon’s wonderful feature of Rekha Malhotra aka DJ Rekha at http://www.npr.org/templates/story/story.php?storyId=19087315.
After you read this small piece about Bhangra, please go to DJ Rekha’s site to hear her Basement Bhangra Anthem. Ohhh, there is no way to sit still…
Wonderful wonderful music from India and Punjabi. I pulled something off of Wikipedia, www.wikipedia.org/wiki/Bhangra. Here is a small peek at Bhangra. But you must hear it to understand. In music as in this music, it is not the words but the melody, the beat.
Source: Wikipedia
“Bhangra, in the traditional sense, is a folk dance and not a music form though now it is seen to refer to both to the music and the dance. It depends heavily on percussion and originated from classical Indian music.
Bhangra began as a part of harvest and vaisakhi festival celebrations, and found its way to the performance stage after the division of the Punjab in 1947. The Punjabi dance performed at this time in ecstasy with the beat of Dhol came to be known as Bhangra. The tradition spread slowly to other parts of the region and developed into a unique folk dance form. Bhangra has come of age and is now performed at every major celebration and in clubs etc.
Traditional Bhangra is a fusion of music, singing and the beat of the dhol drum, a single stringed instrument called the iktar (ektara), the tumbi and the chimta. The accompanying songs are small couplets written in the Punjabi language called bolis. They relate to harvest celebration, love, patriotism or current social issues.
In Punjabi folk music, the dhol’s smaller cousin, the dholki, was nearly always used to provide the main beat. Nowadays the dhol is used more frequently, with and without the dholki. Additional percussion, including tabla, is less frequently used in bhangra as a solo instrument but is sometimes used to accompany the dhol and dholki.
As many Bhangra lyrics reflect the long and often tumultuous history of the Punjab, knowledge of Punjabi history offers important insights into the meaning of the music. During the last thirty years, Bhangra has enjoyed a surge in popularity worldwide, both in traditional form and as a fusion with genres such as hip-hop, house, and reggae.
As we close this month of February at IF mag, I hope you have seen pictures of places in Thailand and Myanmar, heard music from Bhangra/DJ Rekha and World Music Network, jotted down the recipes of Kamal, and enjoyed the latest stop on our world tour in Southeast Asia.”
Gratefully yours, Cat Wayland